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The exhibition features the work of four contemporary artists: Boushra Almutawakel of Yemen, Shadi Ghadirian of Iran, Rania Matar of Lebanon and Reem Al Faisal of Saudi Arabia. The photographs will be on view for the first time in New York. In addition, HGG will show photographs from Syria made in 1940 by Margaret Bourke-White forLIFEmagazine.In 1940, seven months before the United States entered World War II,LIFEmagazine sent photographer Margaret Bourke-White, the first female photojournalist, to the young republic of Syria in order to document its pivotal role culturally, geographically, militarily in the region. The exhibition will survey more than 15 photographs taken by Bourke-White, which landed her a featured photographic essay. The Syrian assignment for Bourke-White is illuminating in the context of today s civil war and Syria s major position both in the Middle East and on the global stage. The photographs on view are the vintage prints used for the production of the magazine.Al Faisal lives in Jeddah, Saudi Arabia and Paris, France. The granddaughter of the late King Faisal, she is known for her black and white photographs of the Hajj, the four-day pilgrimage to Mecca that takes place annually at the end of the Muslim year.Revealing the divine in man and nature, her photographs from 1999-2003 briskly capture the multitudes and the individuals therein, in an event undertaken by approximately three million Muslims from all corners of the earth and from every level of society. She studied photography at the Sp os Photographic Institute in Paris, France and has exhibited her work worldwide since 1994.Ghadirian lives and works in Tehran, Iran. Born in 1974, her childhood was marked by revolution and war. Her photographs draw from her experience as a modern woman living under sharia, the ancient moral and religious codes of Islamic law. Exploring themes of censorship, war, and tradition, her work challenges preconceptions of women s roles within an Islamic state. Her photographs are in the collections of The British Museum, London; The Victoria and Albert Museum, London; Los Angeles County Museum of Art; The Smithsonian Museum, Washington DC; Centre Georges Pompidou, Paris and the Museum of Contemporary Art, Tehran.She explains herself and her work thus: Iam a woman and I live in Iran. I am a photographer and this is the only thing I know how to do. I began work after completing my studies. Quite by accident, the subjects of my first two series were women . However, since then, every time I think about a new series, in a way it is related to women. It does not make a difference to me what place the Iranian woman has in the world because I am sure no one knows much about it. Perhaps the only mentality of an outsider about the Iranian woman is a black chador; however I try to portray all the aspects of the Iranian woman. And this completely depends on my own situation. I wish to continue speaking of women because I still have a lot to say. These are my words as a woman and the words of all the other women who live in Iran where being a woman has its own unique system. Although ultimately I create these photographs in my personal studio, I follow social issues. The photographs are not authentic documentations but deal with current social issues .Born and raised in Lebanon, Matar moved to the US in 1984. Her work focuses on girls and women. Her images of teenage girls in their rooms in Lebanon and Palestine provide touching portraits of the adolescent experience and explore the role of Western influences. Over the past few years, she completed the seriesA Girl and Her Room, which juxtaposes teenagers in the United States and the Middle East and was published in an award-winning book in 2012. Her work has been widely exhibited in the US and internationally.Known for her provocative and engaging images, Almutawakel, born in 1969, is celebrated as one of Yemen s first female photographers. She is a founding member of Al-Halaqa (1996), a group of artists who created an exhibition space and forum for national and international discourse in Yemen. Her images of women and children in veils challenge Western preconceptions. Most recently, her photographs were seen in She Who Tells a Story: Women Photographers from Iran and The Arab Worldat the Museum of Fine Arts, Boston. Her work is in the collection of the British Museum in London.She studied in the USA and Yemen, obtaining a BSBA in International Business at the American University in Washington, DC. It was during her time as a student she became interested in photography, and worked as a photojournalist on the university newspaper and yearbook, and as a photo lab assistant at the School of Communications. On her return to Yemen in 1994, she worked mainly as an educational adviser but continued developing her photographic work, participating in many group exhibitions.In 1998, she became a full-time photographer and some of her clients have included the United Nations, CARE International, the Royal Netherlands Embassy, the Social Organisation for Family Development, the National Institute for Health Education, The British Council, The French Embassy and the French Cultural Center, as well as various commercial and individual clients. 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